Fernando Fernández Gómez, better known as Fernando fernán Gómez (Lima, Peru, 1921 – August 28, Madrid, 21 November 2007), was a writer, actor, screenwriter, film director and Spanish Theatre. He was a member of the Royal Spanish Academy for seven years where he held armchair B since joining (30 January 2000) until his death.
Biography
Most, as he writes in his memoir, [ 1 ] likely was that he born in Lima on 28 August 1921, while his departure from birth indicate that he did in the capital, argentina, Buenos Aires. The reason for this is his mother, the actress Carola fernán Gómez, was on tour in South America when he was born in Lima, so his departure from birth was issued days later in Argentina, nationality he held, apart from the Spanish, was granted in 1984. Extramarital son, his father was the also actor Luis Fernando Diaz de Mendoza and warrior, the son of María Guerrero, who prevented the marriage between Fernando Fernán Gómez parents.[ 2 ]
After some school work as an actor, he studied philosophy and literature in Madrid, but his true vocation led him to the theater. During the Civil War, he attended the actors School of the CNT, debuted as a professional in 1938 in the company of Laura Pinillos; There he discovered Enrique jardiel poncela, who gave him his first opportunity to offer you, in 1940, a role as supporting actor in his work the thieves are honest people. Three years later he was hired film producer Cifesa and thus broke into film with Cristina Guzmán, a film directed by Gonzalo delgrás, and already the following year was offered her first role player in began in wedding, raffaello matarazzo. Indeed, worked as an actor until the early 1940s to later devote to cinema, first as an actor in hits such as reckless or anchor button) and as a director, without neglecting its vocatio director and scene, and the Café Gijón tertulia frequent screenwriter and playwright.
In 1984 dumps her more intense literary vocation in the writing of very personal articles in Diario 16 and the Sunday supplement of El Pais, producing also several volumes of essays and eleven strongly autobiographical novels about historical and other: seller of oranges, journey to nowhere, bad love, sea and time, the lift of the drunken, La Puerta del Sol, the cross and the Golden Lily, etc. Was a great success his autobiography in two volumes, the yellow time, which are at two editions, the second more expanded; but perhaps its most resounding success obtained it with a play soon made into a film, bicycles are for the summer, on his childhood memories of the Civil War.
Married and divorced singer María Dolores Pradera (1947-1959), with whom he had a daughter, actress Helena fernán Gómez, and a son, Ferdinand, also related to the world of culture. He remarried in 2000 with actress Emma Cohen, which maintained a relationship since the 1970s, after participating in an episode of a series of TVE where Emma was protagonist (three were three, 1973) next to Lola gaos.
His hand came cinema into Real Academia Española, of which he was elected in 1998 [ 3 ] and took possession of the armchair B 30 January 2000. It was awarded the Prix Prince of Asturias of Arts in the year 1995. Multifaceted, wanted and respected professionals in the industry and several generations of spectators found popularity acting almost at the beginning of his career with the black comedy classic Carnival Sunday (the famous filmmaker Edgar neville), which starred opposite Conchita mountains in 1945. Two years earlier he had appeared as a child in another notable title of Spanish film of the 1940s as Cristina Guzmán. That same year accompanied an already consecrated Empire Argentina and remembered Heartthrob Alfredo Mayo in the exotic bamboo comedy and also participated in a classic small fantastic comedy as the destination apologizes, of José Luis Sáenz de Heredia, in the style of American subgenus in vogue during those years (invisible partner, Norman z. MacLeod, I married a witch, of René clair, two in the sky, of Victor Fleming, etc.). Then chained titles of success that today critics and lovers are eligible of indispensable, working with Gonzalo delgrás (the inhabitants of the uninhabited house); Carlos Serrano de Osma (Hex, Lola Flores and Manolo Caracol); Sáenz de Heredia (the harvest is plentiful, the eyes leave traces); Ramón Torrado (Anchor button), José Antonio Nieves Conde (reckless, the tenant); Luis Markina (The captain poison). At that time he also worked in Barcelona as a voice actor.
In the 1950s, consolidated its position as lead actor in a series of comedies (phenomenon), drama (the big lie) and reckless religious cinema, Molokai, or propaganda (clear Morena) folk or escapist (which in many ways also considered propaganda to historians), while participating in one of the first messengers of what will then be ‘film Spanish’: this happy couple Bardem and Berlanga. Now also participates in some co-productions such as consciousness accused (of the brilliant georg wilhelm pabst) or the Bachelor (from Antonio pietrangeli) alongside Alberto sordi, and then starts a budding career as a director with unequal wealth commissioned works: therefore sticks out his version of the novel by Wenceslao Fernandez Flórez evil Carabel and two excellent comedies in which shared chemistry and poster with the delicious analía gadé, one of their partners recurring, such as the unfinished life and life around.
Thread Spanish in 1960s cinema, his filmography as actor and director was filled with comedies of all kinds (La venganza de Don Mendo, goodbye, Mimi Pom, Ninette and a Lord of Murcia or imperfect crime), exception other than their work address in the world continues (1963), a gruelling naturalistic drama inspired by the novel of Juan Antonio zunzunegui, where they face two sisters vital conceptions full society of Spanish post-war period, his first success as a director and his strange journey film in opposite (1964), portrays, with almost greater penetration than own Berlanga climate tightfisted and oppressive Spanish Franco society and remains as a Spanish of all time movies summits; both productions were tremendous clashes with censorship. In addition, it is now when you start working relationship with one of their most emblematic partners, Concha Velasco, black comedy crime for newlyweds.
In the 1970s, Fernán Gómez, became one of the most sought-after actors of the so-called Spanish transition, with gilt titles of those years as the spirit of the Beehive, Captain love Brando, Pim, pam, pum, fire, my daughter Hildegart, the wreck, Mama turns 100 years or Up Azaña!. This started a successful collaboration by the remarkable director Jaime armiñán and also close professional relationship with Carlos saura, earning it a fair reputation as an actor and director of recognition for his long career. In 1976 she appeared in a title of unquestionable value, but not for the general public as the Anchorite, premiered at the Berlin Film Festival. He also directed and performed two successful series for TVE (soldier Juan and above all the rogue) sneak into the public memory. After Franco’s death, and the legalization of the CNT-AIT, took an active membership in Union shows Barcelona participating in anarcho-syndicalist 1977 together with her colleague Emma Cohen Montjuïc rally.
In 1981 she starred in a memorable film wonders of Gutiérrez Aragón, and began to string together hits and audience (the hive, tourism, the stilts, Requiem for a Spanish farmer, the Pharaoh’s Court, half the sky and journey to nowhere). Ends the decade with excellent work in films not very welcome but quality: Squillace and the river that takes us. In 1986 it was shot in Argentina a title to be taken into account poor Butterfly, Raúl de la Torre, along with an international cast (bibi andersson, vittorio gassman, Fernando Rey, Graciela Borges); and also this is the Decade in which is more active in its work for TVE (Ramon y Cajal, Fortunata y Jacinta, the spicy, Juncal or impossible stories).
1990S presence the beginning of a period of lower professional activity for some health problems and, surely, lack of scale for an actor like him roles. Safe belle époque and the Oscar that manages the tape as best foreign language film, must wait until 1998 to see you in two very different tapes (each in their own way) as important as the grandfather (nominated for the Oscar and blockbuster) and Pepe Guindo (homenaje-ficción to the great actor from an underrated director but nothing mediocre as Manuel Iborra). Between, was several seasons in the series of TV thieves are going to the Office, which would return you the popularity and other great names of interpretation as Agustín González, Manuel alexandre, or José Luis López Vázquez. Then retrieves bellows with three major films (all about my mother, full moon and the popular success of butterfly tongue).
Most recently rolled visionary of Gutiérrez Aragón; Shanghai spell with Fernando trueba; So I don’t forget, and that is probably as his last great performance in the splendid city without limits, by Antonio Hernández.
Marisa Paredes, President of the Academy of Arts and the film of Spain in the delivery of the tenth gold medal described it perfectly: «by anarchist, by poet, comedian, by columnist, academic, by novelist, playwright, by single and by consequent».
He collaborated for 35 years with the newspaper ABC.
On November 19, 2007 was placed in the area of Oncology at the Hospital Universitario La Paz Madrid to be treated for pneumonia. He died in Madrid, on 21 November 2007, at the age of 86.[ 6 ] After announcing it Prime Minister, José Luis Rodríguez Zapatero in the Fiery Chapel of the actor, Government Spain granted 23 November, posthumously, the Grand Cross of the Civil order of Alfonso X the wise.[ 7 ] The Mayor of Madrid, Alberto Ruiz-gallardón, announced that the Cultural Centre of the city of Madrid will be called Teatro Fernando Fernán Gómez.[ 8 ] In fiery Chapel his coffin was covered with a flag officialy anarchist, [ 9 ] later cremated.
Literary work
Novel
* The seller of oranges. Madrid, Thebes, 1961; Madrid, Espasa-Calpe, 1986.
* Journey to nowhere. Madrid, Debate, 1985.
* Bad love. Barcelona, planet, 1987; historical novel.
* The sea and the time. Barcelona, planet, 1988.
* The lift of the drunks. Madrid, Espasa-Calpe, 1993.
* La Puerta del Sol. Madrid, Espasa-Calpe, 1995.
* Stop! novel of love. Madrid, Espasa-Calpe, 1997.
* The cross and Golden Lily. Madrid, Espasa-Calpe, 1998; historical novel.
* Gold and hunger. Barcelona, Muchnik, 1999, historical novel.
* Tooth and nail. Madrid, Espasa-Calpe, 2001; historical novel.
* Time to train. Madrid, Espasa-Calpe, 2004.
Theatre
* Couple for eternity. Madrid, acanthus, 1947.
* Bicycles are for the summer. Madrid, Espasa-Calpe, 1984.
* The alibi. The Sunday bacchanal. Madrid, Espasa-Calpe, 1985; Madrid, Antonio Machado, 1987.
* Lazarillo de Tormes. Adaptation. Valladolid, Castilla eds., 1994.
* Husband and a half. Comedy released June 7, 1959 at Teatro Gran Vía of Madrid, unpublished.
* King Ordaz and his infamy. Comedy released 22 August 1983 in the theatre of the progress Palace, unpublished.
* Eyes of forest. Comedy released July 9, 1986 in Plaza of the Almudena in Madrid of «Villa summers» programming, unpublished.
* The mischievous . Adventures and misadventures of Lucas maze. First shown in Central Seville on September 8, 1992, unpublished Hispanic theatre.
* The invaders of the Palace. Madrid, Fundación author, 2000.
* Sancho Panza defence. Premiered at the 25th International Festival Theatre classic of Almagro on 19 July 2002, published in the magazine Acotaciones 20.
* Die sane and insane live. Premiered at Teatro Principal of Zaragoza on 13 January 2004, unpublished.
Memories
* Journal of Cinecittà. International film magazine, no. 6, November 1952; No. 7, December 1952.
* Oblivion and memory. Fernando Fernán Gómez autobiography. Triumph, no. 3, 6th time, January 1981.
* Yellow time. Memories. I (1921-1943) and (ii) (1943-1987). Madrid, Debate, 1990.
* Yellow time: extended memory (1921-1997). Madrid, Debate, 1998.
Poetry
* A Roma by something. Madrid, offprint of Spanish poetry (1954); Madrid, Fernán Gómez art and 1982 editions.
* Singing is flight. Madrid, Viewer, 2002 (complete poetry).
Articles and essays
* Actor and others. Barcelona, Laia, 1987.
* Impressions and depressions. Barcelona, planet, 1987.
* Stories of the picaresque. Barcelona, planet, 1989.
* The art of wish. Madrid, today’s topics, 1992.
* Image of Madrid. Madrid, the País-Aguilar, 1992.
* Roofs of Madrid. Madrid, Telefónica Spain, 1992.
* From the last row: one hundred years of cinema. Madrid, Espasa-Calpe, 1995.
* Us adults, 1999.
* Pure theatre and something else, 2002.
Children’s literature
* The thieves. Madrid, Anaya, 1986.
* Patch. Madrid, Anaya, 1988.
Several
* My dear general (film script), 1986.
* Stories of the picaresque, 1989.
* The intruder (television over a Borges tale script), 1986
* Out-of-game (film script), 1991.
* Anecdotes of Theatre: here comes to pointer!, Barcelona, DeBolsillo, 1997.
* The scene, the street and clouds (stories), Espasa-Calpé, 1999.
* Talks with Fernando Fernán Gómez (libro-entrevista conducted by Enrique Brasó) Madrid, Espasa-Calpé, 2002.
Filmography as director
Cinema
* Lunatic asylum (co-directed with Luis María Delgado) (1954)
* The message (1955)
* Evil Carabel (1956)
* Life ahead (1958)
* Life around (1959)
* For men only (1960)
* La venganza de Don Mendo (1961)
* The world continues (1963)
* The pigeons (1964)
* The strange journey (1964)
* Ninette and a Lord of Murcia (1965)
* Greater with reservations (1966)
* Imperfect crime (1970)
* How to get married in 7 days (1971)
* I saw the first (1974)
* The beloved (1976)
* More than witch witch (1976)
* My daughter Hildegart (1977)
* Five forks (1979)
* Mambrú went to war (1986)
* Journey to nowhere (1986)
* The sea and the time (1989)
* Out-of-game (1991)
* Seven thousand days together (1994)
* Nightmare for a rich (1997)
* To Porta do Sol (1998)
* Lazaro de Tormes (co-directed with José Luis García Sánchez) (2001)
Television
* The thieves are going to the Office
* Tertulia with… (1981)
* The rogue (1974)
* Soldier Juan (1973)
* The last tape (1969)
Theatre
* Life in a notebook, Carlos llopis (1953).
Filmography as actor
Cinema
* Autumn roses (Juan de Orduña, Eduardo Morera, 1943)
* A Palace for sale (Ladislao vajda, 1943)
* White turban (Ignacio f. Iquino, 1943)
* Living upside-down (Ignacio f. Iquino, 1943)
* Cristina Guzman (Gonzalo delgrás, 1943)
* Fantastic night (Luis Markina, 1943)
* Cat girl (Ramon Quadreny, 1943)
* He started at wedding (Raffaello Matarazzo, 1944)
* A girl of Operetta Ramón Quadreny (1944)
* I and my enemy Ramón Quadreny (1944)
* You’re a case (Ramon Quadreny, 1945)
* Espronceda (Fernando Alonso Casares, 1945)
* It was the boyfriend (Salvador July, 1945)
* The destination apologizes (José Luis Sáenz de Heredia, 1945)
* Babel road Jerome Mihura (1945)
* Bamboo (José Luis Sáenz de Heredia, 1945)
* Carnival Sunday (Edgar neville, 1945)
* The next time we can live (Enrique Gómez, 1946)
* The inhabitants of the uninhabited house (Gonzalo Delgrás, 1946)
* It is dangerous to look abroad (Alejandro Ulloa, Arthur Duarte, 1946)
* Night without sky (Ignacio f. Iquino, 1947)
* Happy wall (Henry blacksmiths, 1947)
* The black Mermaid (Carlos Serrano de Osma, 1947)
* Embrujo (Carlos Serrano de Osma, 1947)
* Today we spend not ready (Raul Alfonso, Rafael Alonso, 1948)
* Pototo, bowling and company Ramón Barreiro (1948)
* Crossroads (Pedro lazaga, 1948)
* The harvest is plentiful (José Luis Sáenz de Heredia, 1948)
* Anchor button Ramón Torrado (1948)
* Life in shadows Lorenzo Llobet grace (1948)
* Ninety minutes (Antonio del Amo, 1949)
* Wings youth (Antonio del Amo, 1949)
* Faculty of letters (Pius Ballesteros, 1950)
* Happy times Enrique Gómez (1950)
* The last horse (Edgar Neville, 1950)
* Saturday night (Rafael Gil, 1950)
* Reckless (José Antonio Nieves Conde, 1951)
* Air trinca Ramón Torrado (1951)
* Captain poison (Luis Markina, 1951)
* Fifty years of Real Madrid (Rafael Gil, 1952)
* Pelegrín system (Ignacio f. Iquino, 1952)
* I want to marry you Jerome Mihura (1952)
* Eyes leave traces (José Luis Sáenz de Heredia, 1952)
* Awareness acknowledges (georg wilhelm pabst, 1953)
* The happy couple (Juan Antonio bardem, Luis García Berlanga, 1953)
* Airport (Luis Lucia Mingarro, 1953)
* No one will know Ramón Torrado (1953)
* Lunatic asylum (Fernando Fernán Gómez, Luis Maria Delgado, 1954)
* Absentia (José Antonio Nieves Conde, 1954)
* Clear Morena (Luis Lucia Mingarro, 1954)
* The afterlife of Captain Contreras (Rafael Gil, 1955)
* The guardian of paradise Arturo Ruiz Castillo (1955)
* Congress in Seville (Antonio Román, 1955)
* The message (1955)
* The scapolo (The Bachelor, Antonio Pietrangeli, 1955)
* The big lie (Rafael Gil, 1956)
* The phenomenon José María Elorrieta (1956)
* Evil Carabel (1956)
* Honeymoon (Leon Klimovsky, 1956)
* The tenant (José Antonio Nieves Conde, 1957)
* Blue girl (Pedro lazaga, 1957)
* Faustina (José Luis Sáenz de Heredia, 1957)
* A husband of round-trip (Luis Lucia Mingarro, 1957)
* The angels of the steering wheel (Ignacio f. Iquino, 1957)
* Life ahead (Fernando Fernán Gómez, José Luis de la Torre, 1958)
* Ana says Yes Pedro Lazaga (1958)
* Life around (1959)
* Summer moon Pedro Lazaga (1959)
* Soledad (Mario Craveri, Enrico Gras, Félix perhaps, 1959)
* Bombs for peace (Antonio Román, 1959)
* The irony of money (Edgar Neville, Guy Lefranc, 1959)
* The three Col. etceteras Claude Boissol (1959)
* For men only (1960)
* The private life of Fulano de Tal José María Forn (1960)
* Crime for newlyweds Pedro Luis Ramírez (1960)
* La venganza de Don Mendo (1961)
* Goodbye, Mimi Pom Luis Markina (1961)
* Ghosts in the House Pedro Luis Ramírez (1961)
* Where I put this dead? Pedro Luis Ramírez (1962)
* Benigno, my brother (Arturo González son, 1963)
* Rififí in the city (Jesús Franco, 1963)
* The becerrada (José María forqué, 1963)
* The world continues (1965)
* Ninette and a Lord of Murcia (1965)
* A vampire for two (Pedro lazaga, 1965)
* The wife of thy neighbor (Enrique Carreras, 1966)
* Greater with reservations (1966)
* Vile seduction (José María Forqué, 1968)
* Why are at forty? (Pedro Lazaga, 1969)
* The Panthers will eat the rich Ramón Fernández (1969)
* Carola day, night Carola (Jaime armiñán, 1969)
* A decent adultery Rafael Gil (1969) * Furnished Studio 2.P. José María Forqué (1969)
* The triangulito (José María Forqué, 1970)
* By profession, work (Javier Aguirre, 1970)
* Imperfect crime (1970)
* Growing leg, dwindling skirt (Javier Aguirre, 1970)
* How to get married in 7 days (1971)
* The Iberian F.C. (Pedro masó, 1971)
* Dawn roosters (José Luis Sáenz de Heredia, 1971)
* Vera, a cruel tale (Josefina Molina, 1973)
* Don Quixote rides again (Roberto Gavaldón, 1973)
* The legend of the Mayor of Zalamea (Mario camus, 1973)
* Anna and the wolves (Carlos saura, 1973)
* The spirit of the Beehive (Víctor Erice, 1973)
* I saw the first (1974)
* Captain love Brando (Jaime Armiñán, 1974)
* Sensuality Germán Lorente (1975)
* PIM, pam, pum… fire! (Pedro Olea, 1975)
* I am Freddy in such Pedro Lazaga (1975)
* Jó, Dad (Jaime Armiñán, 1975)
* The beloved (1976)
* The Anchorite (Juan estelrich, 1976)
* More than witch witch (1976)
* Gulliver (Alfonso ungría, 1976)
* The four brides of Augusto Perez Jose Jara (1976)
* Impossible for one spinster (Rafael Romero Marchent, 1976)
* Queen carrot (Gonzalo suárez, 1977)
* Ragazza dal giallo pigiama (The yellow Pajama girl, Flavio Mogherini, 1977)
* Thinner than hens Jesus Yagüe (1977)
* Party with (Gonzalo Suárez, 1977)
* Chely Ramón Fernández (1977)
* The wreck Ricardo Franco (1978)
* Top feat José María Gutiérrez Santos (1978)
* All about Madrid (Jacinto Molina, 1979)
* Miracle at the circus Alejandro Galindo (1979)
* MOM turns 100 years (Carlos Saura, 1979)
* I know what (Emma Cohen, 1980)
* Wonders (Manuel Gutiérrez Aragón, 1981)
* 127 million tax free Pedro Masó (1981)
* Shut down… and let’s we go (Antonio Hernández, 1982)
* Zero copy (Eduardo Campoy, 1982)
* Kiss me, stupid (Fernando Canales González, 1982)
* Lead soldiers (José Sacristán, 1983)
* Interior roig (Red interior, Eugenio Anglada, 1983)
* The hive (Mario camus, 1983)
* Juana la loca… from time to time (José Ramón Larraz, 1983)
* Stico (Jaime Armiñán, 1984)
* Fierce (Manuel Gutiérrez Aragón, 1984)
* The stilts (Carlos Saura, 1984)
* The most beautiful night (Manuel Gutiérrez Aragón, 1984)
* From man to man Ramón Fernández (1985)
* Lights of bohemia Miguel Ángel Díez (1985)
* Requiem for a peasant Spanish (Francisco Betriú, 1985)
* The Court of Pharaoh (José Luis García Sánchez, 1985)
* Marbella, a five-star blow (Beautiful miguel, 1985)
* Half the sky (Manuel Gutiérrez Aragón, 1986)
* Poor Butterfly (Raúl de la Torre, 1986)
* Mambrú went to war (1986)
* Journey to nowhere (1986)
* Delusions of love (Antonio González Vigil, Luis Eduardo aute, Cristina Andreu, Félix rotaeta, 1986)
* The great Serafín (José María Ulloque, 1987)
* Face of chard (José Sacristán, 1987)
* My general (Jaime Armiñán, 1987)
* Moors and Christians (Luis García Berlanga, 1987)
* Squillace (Josefina Molina, Joaquin Molina, 1987)
* The sea and the time (Fernando Fernán Gómez, 1989)
* The river that takes us (Antonio del Real, 1989)
* Out-of-game (1991)
* The stunned King (imanol uribe, 1991)
* Marcellino (Marcelino pan y vino, Luigi comencini, 1991)
* Chechu and family (Álvaro Sáenz de Heredia, 1992)
* Belle Epoque (Fernando trueba, 1992)
* Letters from Huesca (Devious Antonio, 1993)
* Thus in heaven on Earth (José Luis Cuerda, 1995)
* Graffiti (Juan Estelrich junior, 1996)
* Nightmare for a rich (1996)
* Tram to Malvarrosa (José Luis García Sánchez, 1996)
* Sister (Juan José Porto, 1997)
* Dream heroes Sergio Renan (1997)
* Pepe Guindo (Manuel Iborra, 1998)
* The grandfather (José Luis garci, 1998)
* All about my mother (Pedro Almodóvar, 1999)
* Full moon (Imanol Uribe, 1999)
* The language of the butterflies José Luis Cuerda (1999)
* Voice (Javier Aguirre, 2000)
* Visionaries (Manuel Gutiérrez Aragón, 2001)
* Embrujo de Shanghai (Fernando Trueba, 2002)
* In the city without limits (Antonio Hernández, 2002)
* Bibliofrenia (Marcos Moreno, 2003)
* There are reason! (Various, 2004)-vocals on epilogue
* Carousel c. 1950 (José Luis Garci, 2004)
* So I don’t forget (Patricia ferreira, 2005)
* Fernando Chair David trueba and cheerful Louis (2006)
* MIA Sarah (Gustavo Ron, 2006)
Television
* Fables (1968) (series)
* The Mayor of Zalamea (study 1 episode) (1968)
* Of the said than done (series) (1971)
* Three were three (episode) (1972)
* Soldier Juan (1973)
* The rogue (mini-series) (1974)
* Spanish film memories (episode) (1978)
* Fortunata y Jacinta (mini-series) (1980)
* The Mayor of Zalamea (Theatre Studio episode) (1981)
* Talking shop with (program) (1981)
* Ramón y Cajal (series) (1982)
* The disasters of war (mini-series) (1983)
* The spicy (episode) (1983)
* The garden of Venus (Series) (1983)
* New dawn (episode of impossible stories) (1984)
* Spanish movie night (2 episodes) (1985 – 1986)
* Juncal (1989)
* The woman in your life: the lost woman (1988)
* The woman in your life 2: the women of my life (1992)
* Tonight is Christmas Eve (episode Farmacia de guardia) (1992)
* The thieves are going to the Office (1993 – 1995)
* Cuéntame cómo pasó (2001)
Awards and nominations
Film festivals
Year Prize Festival Movie
1977 Silver bear for best actor Berlin International Film Festival The Anchorite
1984 Prize Pasinetti Venice Film Festival The stilts
1985 Silver bear for best actor Berlin International Film Festival Stico
1989 Special Jury Prize San Sebastián International Film Festival The sea and the time
1999 Donostia award San Sebastián International Film Festival His entire career
2005 Bear of honour Berlin International Film Festival His entire career
[Edit] Goya Awards
Year Category Movie Result
1986 Best film Journey to nowhere Winner
1986 Best direction Journey to nowhere Winner
1986 Best male performance protagonist Mambrú went to war Winner
1986 Best screenplay Journey to nowhere Winner
1989 Best film The sea and the time Candidate
1989 Best direction The sea and the time Candidate
1989 Best male performance protagonist The sea and the time
Squillace Candidate
1989 Best adapted screenplay The sea and the time Candidate
1992 Best supporting male performance Belle Epoque Winner
1998 Best male performance protagonist The grandfather Winner
1999 Best male performance protagonist The language of the butterflies Candidate
2000 Best adapted screenplay Lazaro de Tormes Winner
Silver frameYear Category Film/TV series Result
1951 Best Spanish film performer Reckless Winner
1969 Best TV performer The last tape Winner
1973 Best TV performer Soldier Juan Winner
1981 Best Spanish film performer Wonders Candidate
1983 Best movie actor Lead soldiers Candidate
1985 Best movie actor The Court of Pharaoh
Marbella, a five-star blow
Stico Candidate
1986 Best movie actor Delusions of love
Journey to nowhere
Half the sky
Mambrú went to war Winner
1993 Best television actor The thieves are going to the Office Candidate
1994 Best television actor At your service
The woman in your life 2: the women of my life Candidate
1997 A lifetime Winner
1999 Best movie actor The language of the butterflies
Pepe Guindo
All about my mother Candidate
[Edit] Union actors
Year Category Film/TV series Result
1992 A lifetime Winner
1993 Best performance TV protagonist The thieves are going to the Office Candidate
1998 Best performance film protagonist The grandfather CandidateOther awards
* National Theatre Award (1985).
* National award for cinematography (1989).
* Prince of Asturias of the Arts Award (1995).
* Mariano Cavia, prize for his “Saloncillo of my time”, article published in ABC (1999).
* Gold Medal of the Academy of Arts and the film of Spain (2001).
* Grand Cross of the Civil order of Alfonso X the wise posthumously awarded by the Government of Spain (2007).
