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José Ignacio Cabruja Lofiego (Caracas, 17 of July of 1937 – Porlamar, Margarita Island, October 21, 1995) was a prominent playwright, theatre director, actor, chronicler, soap opera writer, librettist of radio dramas, author of screenplays, moderator of radio, humanist and designer of Venezuelan born in Caracas political campaigns. Died in Porlamar, Margarita Island, October 21, 1995, of a heart attack. How is considered one of the innovators of the genre of soap opera in Latin America and called the master of Telenovelas.

Life

Son of a humble family, lived his childhood in the Caracas neighborhood of Catia. José Ramón Cabruja Esteso and Matilde Cabruja Lofiego parents. His name is “cabruja” and it was changed when he lived a unique story that arose during his tenure by the University Theatre (TU), the confusion arises from a journalist who published a note on Cabrujas performance in the you, adding the “S”, apparently the young actor you liked so much that he decided to continue using the “S” and is from the moment he begins to hear “José Ignacio cabrujas”.

He studied law at the Universidad Central of Venezuela, but his foray into the University Theatre revealed his true vocation and soon abandoned the race.

He married three times; in 1960 contracted married democracy López and a year later was born his first son Juan Francisco Cabruja, the marriage lasted five years; in 1976, married his costume and producer Eva Iványi [1], with whom he shared a decade; in 1985 he married modified illustrious singer, musicologist and Venezuelan choral Director Isabel Palacios, with whom he has to his son Diego Cabruja, [2] [3] also dedicated to the music.

Man of immense culture and sharp wit felt passion for Opera, theatre and literature.

Print and electronic publications about his life and work

* 1979: “Three Venezuelan playwrights today r. Chalbaud, j. i. Cabrujas, i. Chocrón” [4] Gleider Hernández-Almeida, text published by the new group.

* 1983: “Cabrujas in three acts” [5] Leonardo Azparren Jiménez, text published by the new group.

* 1991: “Theatre according to Cabrujas”, [6]

* 1994: “Catia in three voices” [7] [8] [9] of miracle relief, where he interviews Cabrujas to close to their children in Catia.

* 1995: “Cabrujerías: a study on the drama of José Ignacio Cabrujas” [10] [11] of Francisco Rojas well belonging to his literary research.

* 1999: “La cabrujas Caracas” [12] by Ibsen Martínez, where tells dramatizada how your share with Cabrujas.

* 1999: “Discovering José Ignacio Cabrujas A man…” An artist… “A conscience…” Claudy Sousa degree theses [13].

* 2000: “Venezuela: the work unfinished of José Ignacio Cabrujas” [14] [15] Yoyiana Ahumada, Latin American literature thesis where the author analyzes the dramaturgy how social discourse for national identity.

* 2006: “National prize of culture: Theatre José Ignacio Cabrujas 1989” [16] of Gloria Soares, where collects information and event notes divided into VII chapters to organize and summarize your work.

* 2006: “Cabrujas, this terrible Angel: six perspectives workshop” [17] [18] Yoyiana Ahumada Licea and the Foundation counts on the collaboration of Manuel Felipe Sierra, Daniel Gutiérrez, Eduardo Fermin, Claudia Furiati Páez, Iraida Tapias and Arnaldo Gutiérrez.

* 2009: “History and everyday life in the dramaturgy of José Ignacio Cabrujas” Magaly Guerrero [20] [19]

* 2009: “The world according to Cabrujas” [21] [22] Yoyiana Ahumada Licea, test that contains an investigación-compilación on his articles published in the press.

* 2010: “Dramatic work” [23] [24], Leonardo Azparren Giménez and Gloria Soares of Ponte, containing 16 plays of Cabrujas, a biography and chronology, and a text of Nicolás Curiel.

His work

Cabrujas published his works and other books including:

* 1971: Deep. Piece in an act

* 1976: “Cultural event” [25]

* 1977: “tric-Trac” [26] book containing works of r. Chalbaud “Los Angeles Terribles” and “During” of j. i. Cabrujas, under the responsibility of Isaac Chocrón.

* 1979: “El día que me quieras: piece in two-stroke” [27]

* 1984: “Gardel: the day that Me Chechy” [28], theatre work translated into Portuguese.

* 1987: Inside of the compendium of topics for the article “heterodoxy and State: 5 answers” [29] [30], shared with Marcel Granier, José Luis Vethencourt, Heinz Rudolf Sonntag, Allan Brewer-Carías, where its theme entitled “the State of the dissimulation”, special edition of the COPRE and Ideas magazine, State reform

* 1990: “The day that I want;” “Cultural event” [31]

* 1990: “Caracas” [32], written by j. i. Cabrujas, Gorka Dorronsoro photographs.

* 1997: “Sacred and Obsceno” [33] of J. i. Cabrujas and Román Chalbaud, published by direction of culture of the Universidad Central of Venezuela: Foundation of the new Latin American cinema

* 1991: “The fish who smokes” [34] i. Cabrujas and Román Chalbaud, screenplay adaptation of the play

* 2002: “And Latin America invented the telenovela” [35] (posthumous book) resulting from a workshop that taught Cabrujas “The libretto of Telenovelas” creativity Institute and communication (ICREA), [36] [37] featuring a presentation by the Director of ICREA Vicencio González-Azuaje and the prologue is performed by Leonardo Padrón.

Press

He wrote numerous essays, many of which published regularly in the newspaper El Nacional and El Diario de Caracas. He wrote for some time in the sadistic illustrated. During the last decade of his life he cultivated with particularly successful political satire genre. In such need and time partial strive in the ranks of the same humor Creole, virtually no Venezuelan political personality that might escape unscathed from his fearsome but successful pen. He was also a thinker on the city of Caracas, proof of this is his famous essay entitled the hidden city; in where with a prose sometimes fun and friendly talks about the crisis of Caracas and sense of belonging.

[Edit] Television

Recognized for having transformed the soap opera genre in his country, he authored the screenplays for the best-known works internationally in this genre. Alongside Salvador Garmendia, Pilar Romero and Ibsen Martínez, among others, making its way to what is called “cultural telenovela” ‘, such; Mrs Cárdenas (interpretada_por_la_reconocida_actriz_Doris_Wells), his first great success, which manages to defeat traditional schemes of the genre. Among the many are:

* 1968: Completes the work of writing along with “La Tirana” of Manolo Muñoz Rico Román chalbaud.

* 1971: How works librettist in December in Santa Marta, The season and the day ended oil.

* 1973: Writes the version for television of Boves, grouse of Francisco Herrera Luque.

* 1975: Writes alongside Salvador Garmendia, Rómulo Gallegos, Doña Bárbara TV version directed by Marina Baura, marisela berti and Rafael briceño.

* 1975: Writes trial Juan Vicente Gómez, directed by Rafael Briceño.

* 1975: Write process Juan Vicente Gómez, starring Rafael Briceño.

* 1975: Writes the Rómulo Gallegos Canaima television adaptation.

* 1976: Writes to Ligia lezama, champions.

* 1977: How works Dialoguista in The daughter of Juana Crespo of Salvador garmendia, starring mayra Alejandra José Luis Rodríguez and Hilda Vera.

* 1977: Writes to July Cesar marble, La Señora de Cárdenas, directed by doris Wells and Miguel Angel Landa, in 2003 was adapted how film in Unit with the same title by RCTV format [38].

* 1977: Writes Silvia Rivas, divorced, starring Marina baura and José Bardina. In 2006 was adapted how film in Unit with the same title by RCTV format.

* 1978: Writes unmarried and without commitment, directed by Doris Wells and Miguel Angel Landa. In 2006 was adapted how movie of unit with the same title by RCTV [39].

* 1978: Writes alongside Salvador Garmendia and July Cesar marble La Fiera, directed by doris Wells and José Bardina.

* 1979: Writes along with Román Chalbaud La Comadre, directed by doris Wells and Miguel Angel Landa.

* 1979: Writes to Julius Caesar marble Estefanía, starring Pierina Spain and José Luis Rodríguez, soap opera for social Court that in his last chapter newspaper El Nacional de Venezuela; It was titled “Caracas paralysed by Stéphanie Final Chapter” news accompanied by a graphic (picture) of a Caracas Street which was cleared, says presidential meetings had to fix in an hour than not interfieriera with the schedule of transmission of the telenovela, so politicians view.

* 1979: Writes to Jorge Cavanet Mabel Valdez, journalist, inspired by the life of marietta Santana, starring Marina Baura and Raúl amundaray.

* 1979: Writes to July Cesar marble blood blue, starring Pierina Spain and José Luis Rodríguez.

* 1980: Writes 8 to 9 Natalia, starring Marina baura, Gustavo Rodríguez and maria Conchita Alonso. In 2007 was adapted how film in Unit with the same title by RCTV format.Covered by TV Azteca (Mexico) in 2008 with the name “live for you”.

* 1980-1981: Writes Gómez and Gómez ii, both featuring Rafael Briceño, realizándo a historical reminder of what had been the dictatorship of Juan Vicente Gómez in Venezuela.

* 1982: Writes alongside Salvador garmendia La Señorita perdomo, starring Charity cannelloni and Orlando urdaneta.

* 1982: Writes a Unit called the murder of Carlos Delgado chalbaud, starring Raúl Amundaray.

* 1982: Writes chao Cristina.

* 1985: How involved The woman without face, written by July Cesar marble librettist.

* 1985: Writes to July Cesar marble, The owner, inspired by the story of Alexandre Dumas, being protagonizaa by Amanda gutierrez and Daniel Alvarado.

* 1986: Writes to Boris izaguirre and Pearl Farias, La Dama de Rosa, starring jeannette Rodríguez and Carlos Mata. Covered in 1997 under the name change of skin.

* 1988-1989: Idea history Mrs Ibsen Martínez Eliseo Morales and Cristina Policastro write, being directed by Maricarmen regueiro, Carlos Mata, Charity cannelloni and Flavio Caballero. Covered by RCTV (Venezuela) between 2007 and 2008 with the name “a lady [40]” adapted by Iris dubs, Rafael Elizalde, Freddy Goncalves, Carolina Mata, José Manuel Pelaéz and Zaret Moreno, being directed by Cristina dieckman, Ricardo poplar, nohely arteaga and Roberto mesutti. Covered by TV Azteca (Mexico) twice; under the headings of “Madam” and “A new love” (2003).

* 1990: Idea Empress, Carolina sword and Carlos Gonzalez Vega history written, starring Raúl amundaray, Marina baura Eduardo Serrano.

* 1990: Idea history María, María, Mariana Luján, Humberto kiko olivieri, José Simón Escalona, Xiomara Moreno and jhonny gavlovski written, starring Alba roversi and Arturo peniche.

* 1992: Writes alongside Perla Farías and Carolina sword, Las Dos dianas, inspired by the novel by Alexandre Dumas, starring Carlos Mata, nohely artega and Lupita Ferrer.

* 1993: Writes Divine obsession, protagoniazada Pedro lander and astrid Carolina Herrera.

* 1993: Writes Cristina Policastro, José Antonio Guevara, Rosana Negrin and Abigail Trucher, The walk of God’s grace, starring Luis fernandez and nohely arteaga [41].

Film

Carlos Azpúrua, writes the screenplay for “dawn coup”, writes a series documentary “Chronic of the amazement” and Román Chalbaud “Sacred and Obsceno” and “The burning of Judas”.

* 1975: How working screenwriter in subversive Latin American Chronicles (Chronicle of to Latin American Subversive).

* 1977: Writes to July Cesar marble, The invasion.

* 1977: Adapting to film his play “The fish that smokes”, this film shows the breakdown of society in a raw and realistic way.

Theatre

Cabrujas made a significant mark in the Venezuelan Theatre of the 20th century, highlighting as an excellent director of Venezuelan; playwrights works In addition to being author of three essential pieces of the Venezuelan tables: deep, released in 1968, El día que me quieras, released in 1979, and Cultural Act, released in 1976.

Others of his works include: The insurgents (1956), Juan Francisco de León (1959), the strange journey of evil (1959) Simon, soup of stones (1960), triangle (traditional hospitality) (19629, on behalf of the King (1963), Days of power (1966) along with Román chalbaud, Venezuela Barata (1966), testimonies (1966), during (1967), an Eastern night (1983), The American illustrated (1986) and premieres its latest Sonny, free Othello adaptation work in 1995.)

[Edit] As Manager and member organizations

* 1961 – Member of group Piccolo Teatro di Milano, in Italy.

* 1965: Director of the culture Department of the Universidad Central of Venezuela.

* 1967 – Member of the Board of Directors of the “new group” acting how Actor, Director and playwright, in Venezuela.

* 1986: Member of Stelaris Inc, organization of freelance writers formed also by Julio César Marmol and Ramón Mangles Bueno

* 1990: Manager of dramatic of Marte TV (today La Tele) defunct company of soap operas, in Venezuela.

[Edit] As a teacher

At the end of the seventies, Cabrujas is called to be part of the Faculty in the school of Arts [42] of University Central of Venezuela, where teaches the subjects of: performing arts I and II, making history in stage I and II, American Theatre, acting workshop and workshop dramaturgy, giving class many University among which arose personalities later part regarding Venezuelan cultural life: Xiomara Moreno [43] [44], Carolina sword [45] [46], Iraida Tapias [47], Lupe Gehrembeck [48], Carlos Sanchez, Boris Izaguirre [49], Doris Wells and many more.

[Edit] Awards and recognition

* 1959: Participation in the VII Youth Festival in Vienna, Austria.

* 1959: Assistance to the Festival of Avignon, which saw the work of Jean Villar, NPT and different presentations of the International Theatre Festival. France.

* 1959: Assistance to the Stratfor Festival – Upon – Avon, speaking at the Festival of theatre student of Bristol, England. His visit to Europe during this year, was due to an incentive granted by Nicolás Curiel, for the moment; Director of the University Theatre of Central Venezuela University.

* 1966: “Best Actor” for his portrayal of character Zechariah in “Los Angeles Terribles” of Román chalbaud Venezuelan Theatre Festival.

* 1972: “Best Actor” for his portrayal of the character Richard III by William Shakespeare, awarded by awards Juana Sujo.

* 1976: “Prize Nacional a la best work” to his play “Act Cultural”, awarded by awards Juana Sujo and Critven.

* 1976: “Best theater play” to his “Act Cultural” play by the Cervantino of gold in Mexico.

* 1976: He was nominated by the New York Critics Association Award for his performance in the play The revolution of Isaac chocrón, pillar of the Venezuelan theatre work.

* 1979: “Best work” in his play “Act Cultural”, awarded by Municipal award of theater in Caracas.

* 1986: “Best work” in his play “The American illustrated” by Municipal award of theater in Caracas.

* 1987: “Best article press”, for his article in the press published in El Nacional, entitled: “A statue for Eleazar Pinto” awarded Prize Enrique Otero Vizcarrondo.

* 1980: “Best film” for his script for “The fish who smokes” on 19th Festival of Cartagena “Simón Bolívar”.

* 1980: “Best work” in his work “The day that Me Chechy” given by Municipal award of theater in Caracas.

* 1987: “Best work” for his play “The American illustrated” by Critven.

* 1988: “Best work” by re-editing “The day that Me Chechy” given by Municipal award of theater in Caracas.

* 1989: “Best work” in his play “The bourgeois Gentilhombre” awarded by Premio Nacional de Teatro, Venezuela.

The legacy left by Cabrujas, allowed the creation of public and private independent institutions for cultural purposes, such as:

* Fundación Cultural José Ignacio cabrujas, based in Caracas, Venezuela.

* Foundation free theatre José Ignacio Cabrujas [50], headquartered in Puerto Ayacucho, Amazonas State, Venezuela.

* Fundación Cultural Cabrujas in Front Cultural José Ignacio Cabrujas

* Theater Cabrujas group, with headquarters in Barquisimeto, Lara state, Venezuela.

* Teatro Jose Ignacio Cabrujas belonging to the Foundation Chacao room

José Ignacio Cabruja Lofiego (Caracas, 17 of July of 1937 – Porlamar, Margarita Island, October 21, 1995) was a prominent playwright, theatre director, actor, chronicler, soap opera writer, librettist of radio dramas, author of screenplays, moderator of radio, humanist and designer of Venezuelan born in Caracas political campaigns. Died in Porlamar, Margarita Island, October 21, 1995, of a heart attack. How is considered one of the innovators of the genre of soap opera in Latin America and called the master of Telenovelas.

Life

Son of a humble family, lived his childhood in the Caracas neighborhood of Catia. José Ramón Cabruja Esteso and Matilde Cabruja Lofiego parents. His name is “cabruja” and it was changed when he lived a unique story that arose during his tenure by the University Theatre (TU), the confusion arises from a journalist who published a note on Cabrujas performance in the you, adding the “S”, apparently the young actor you liked so much that he decided to continue using the “S” and is from the moment he begins to hear “José Ignacio cabrujas”.

He studied law at the Universidad Central of Venezuela, but his foray into the University Theatre revealed his true vocation and soon abandoned the race.

He married three times; in 1960 contracted married democracy López and a year later was born his first son Juan Francisco Cabruja, the marriage lasted five years; in 1976, married his costume and producer Eva Iványi [1], with whom he shared a decade; in 1985 he married modified illustrious singer, musicologist and Venezuelan choral Director Isabel Palacios, with whom he has to his son Diego Cabruja, [2] [3] also dedicated to the music.

Man of immense culture and sharp wit felt passion for Opera, theatre and literature.

Print and electronic publications about his life and work

* 1979: “Three Venezuelan playwrights today r. Chalbaud, j. i. Cabrujas, i. Chocrón” [4] Gleider Hernández-Almeida, text published by the new group.

* 1983: “Cabrujas in three acts” [5] Leonardo Azparren Jiménez, text published by the new group.

* 1991: “Theatre according to Cabrujas”, [6]

* 1994: “Catia in three voices” [7] [8] [9] of miracle relief, where he interviews Cabrujas to close to their children in Catia.

* 1995: “Cabrujerías: a study on the drama of José Ignacio Cabrujas” [10] [11] of Francisco Rojas well belonging to his literary research.

* 1999: “La cabrujas Caracas” [12] by Ibsen Martínez, where tells dramatizada how your share with Cabrujas.

* 1999: “Discovering José Ignacio Cabrujas A man…” An artist… “A conscience…” Claudy Sousa degree theses [13].

* 2000: “Venezuela: the work unfinished of José Ignacio Cabrujas” [14] [15] Yoyiana Ahumada, Latin American literature thesis where the author analyzes the dramaturgy how social discourse for national identity.

* 2006: “National prize of culture: Theatre José Ignacio Cabrujas 1989” [16] of Gloria Soares, where collects information and event notes divided into VII chapters to organize and summarize your work.

* 2006: “Cabrujas, this terrible Angel: six perspectives workshop” [17] [18] Yoyiana Ahumada Licea and the Foundation counts on the collaboration of Manuel Felipe Sierra, Daniel Gutiérrez, Eduardo Fermin, Claudia Furiati Páez, Iraida Tapias and Arnaldo Gutiérrez.

* 2009: “History and everyday life in the dramaturgy of José Ignacio Cabrujas” Magaly Guerrero [20] [19]

* 2009: “The world according to Cabrujas” [21] [22] Yoyiana Ahumada Licea, test that contains an investigación-compilación on his articles published in the press.

* 2010: “Dramatic work” [23] [24], Leonardo Azparren Giménez and Gloria Soares of Ponte, containing 16 plays of Cabrujas, a biography and chronology, and a text of Nicolás Curiel.

His work

Cabrujas published his works and other books including:

* 1971: Deep. Piece in an act

* 1976: “Cultural event” [25]

* 1977: “tric-Trac” [26] book containing works of r. Chalbaud “Los Angeles Terribles” and “During” of j. i. Cabrujas, under the responsibility of Isaac Chocrón.

* 1979: “El día que me quieras: piece in two-stroke” [27]

* 1984: “Gardel: the day that Me Chechy” [28], theatre work translated into Portuguese.

* 1987: Inside of the compendium of topics for the article “heterodoxy and State: 5 answers” [29] [30], shared with Marcel Granier, José Luis Vethencourt, Heinz Rudolf Sonntag, Allan Brewer-Carías, where its theme entitled “the State of the dissimulation”, special edition of the COPRE and Ideas magazine, State reform

* 1990: “The day that I want;” “Cultural event” [31]

* 1990: “Caracas” [32], written by j. i. Cabrujas, Gorka Dorronsoro photographs.

* 1997: “Sacred and Obsceno” [33] of J. i. Cabrujas and Román Chalbaud, published by direction of culture of the Universidad Central of Venezuela: Foundation of the new Latin American cinema

* 1991: “The fish who smokes” [34] i. Cabrujas and Román Chalbaud, screenplay adaptation of the play

* 2002: “And Latin America invented the telenovela” [35] (posthumous book) resulting from a workshop that taught Cabrujas “The libretto of Telenovelas” creativity Institute and communication (ICREA), [36] [37] featuring a presentation by the Director of ICREA Vicencio González-Azuaje and the prologue is performed by Leonardo Padrón.

Press

He wrote numerous essays, many of which published regularly in the newspaper El Nacional and El Diario de Caracas. He wrote for some time in the sadistic illustrated. During the last decade of his life he cultivated with particularly successful political satire genre. In such need and time partial strive in the ranks of the same humor Creole, virtually no Venezuelan political personality that might escape unscathed from his fearsome but successful pen. He was also a thinker on the city of Caracas, proof of this is his famous essay entitled the hidden city; in where with a prose sometimes fun and friendly talks about the crisis of Caracas and sense of belonging.

[Edit] Television

Recognized for having transformed the soap opera genre in his country, he authored the screenplays for the best-known works internationally in this genre. Alongside Salvador Garmendia, Pilar Romero and Ibsen Martínez, among others, making its way to what is called “cultural telenovela” ‘, such; Mrs Cárdenas (interpretada_por_la_reconocida_actriz_Doris_Wells), his first great success, which manages to defeat traditional schemes of the genre. Among the many are:

* 1968: Completes the work of writing along with “La Tirana” of Manolo Muñoz Rico Román chalbaud.

* 1971: How works librettist in December in Santa Marta, The season and the day ended oil.

* 1973: Writes the version for television of Boves, grouse of Francisco Herrera Luque.

* 1975: Writes alongside Salvador Garmendia, Rómulo Gallegos, Doña Bárbara TV version directed by Marina Baura, marisela berti and Rafael briceño.

* 1975: Writes trial Juan Vicente Gómez, directed by Rafael Briceño.

* 1975: Write process Juan Vicente Gómez, starring Rafael Briceño.

* 1975: Writes the Rómulo Gallegos Canaima television adaptation.

* 1976: Writes to Ligia lezama, champions.

* 1977: How works Dialoguista in The daughter of Juana Crespo of Salvador garmendia, starring mayra Alejandra José Luis Rodríguez and Hilda Vera.

* 1977: Writes to July Cesar marble, La Señora de Cárdenas, directed by doris Wells and Miguel Angel Landa, in 2003 was adapted how film in Unit with the same title by RCTV format [38].

* 1977: Writes Silvia Rivas, divorced, starring Marina baura and José Bardina. In 2006 was adapted how film in Unit with the same title by RCTV format.

* 1978: Writes unmarried and without commitment, directed by Doris Wells and Miguel Angel Landa. In 2006 was adapted how movie of unit with the same title by RCTV [39].

* 1978: Writes alongside Salvador Garmendia and July Cesar marble La Fiera, directed by doris Wells and José Bardina.

* 1979: Writes along with Román Chalbaud La Comadre, directed by doris Wells and Miguel Angel Landa.

* 1979: Writes to Julius Caesar marble Estefanía, starring Pierina Spain and José Luis Rodríguez, soap opera for social Court that in his last chapter newspaper El Nacional de Venezuela; It was titled “Caracas paralysed by Stéphanie Final Chapter” news accompanied by a graphic (picture) of a Caracas Street which was cleared, says presidential meetings had to fix in an hour than not interfieriera with the schedule of transmission of the telenovela, so politicians view.

* 1979: Writes to Jorge Cavanet Mabel Valdez, journalist, inspired by the life of marietta Santana, starring Marina Baura and Raúl amundaray.

* 1979: Writes to July Cesar marble blood blue, starring Pierina Spain and José Luis Rodríguez.

* 1980: Writes 8 to 9 Natalia, starring Marina baura, Gustavo Rodríguez and maria Conchita Alonso. In 2007 was adapted how film in Unit with the same title by RCTV format.Covered by TV Azteca (Mexico) in 2008 with the name “live for you”.

* 1980-1981: Writes Gómez and Gómez ii, both featuring Rafael Briceño, realizándo a historical reminder of what had been the dictatorship of Juan Vicente Gómez in Venezuela.

* 1982: Writes alongside Salvador garmendia La Señorita perdomo, starring Charity cannelloni and Orlando urdaneta.

* 1982: Writes a Unit called the murder of Carlos Delgado chalbaud, starring Raúl Amundaray.

* 1982: Writes chao Cristina.

* 1985: How involved The woman without face, written by July Cesar marble librettist.

* 1985: Writes to July Cesar marble, The owner, inspired by the story of Alexandre Dumas, being protagonizaa by Amanda gutierrez and Daniel Alvarado.

* 1986: Writes to Boris izaguirre and Pearl Farias, La Dama de Rosa, starring jeannette Rodríguez and Carlos Mata. Covered in 1997 under the name change of skin.

* 1988-1989: Idea history Mrs Ibsen Martínez Eliseo Morales and Cristina Policastro write, being directed by Maricarmen regueiro, Carlos Mata, Charity cannelloni and Flavio Caballero. Covered by RCTV (Venezuela) between 2007 and 2008 with the name “a lady [40]” adapted by Iris dubs, Rafael Elizalde, Freddy Goncalves, Carolina Mata, José Manuel Pelaéz and Zaret Moreno, being directed by Cristina dieckman, Ricardo poplar, nohely arteaga and Roberto mesutti. Covered by TV Azteca (Mexico) twice; under the headings of “Madam” and “A new love” (2003).

* 1990: Idea Empress, Carolina sword and Carlos Gonzalez Vega history written, starring Raúl amundaray, Marina baura Eduardo Serrano.

* 1990: Idea history María, María, Mariana Luján, Humberto kiko olivieri, José Simón Escalona, Xiomara Moreno and jhonny gavlovski written, starring Alba roversi and Arturo peniche.

* 1992: Writes alongside Perla Farías and Carolina sword, Las Dos dianas, inspired by the novel by Alexandre Dumas, starring Carlos Mata, nohely artega and Lupita Ferrer.

* 1993: Writes Divine obsession, protagoniazada Pedro lander and astrid Carolina Herrera.

* 1993: Writes Cristina Policastro, José Antonio Guevara, Rosana Negrin and Abigail Trucher, The walk of God’s grace, starring Luis fernandez and nohely arteaga [41].

Film

Carlos Azpúrua, writes the screenplay for “dawn coup”, writes a series documentary “Chronic of the amazement” and Román Chalbaud “Sacred and Obsceno” and “The burning of Judas”.

* 1975: How working screenwriter in subversive Latin American Chronicles (Chronicle of to Latin American Subversive).

* 1977: Writes to July Cesar marble, The invasion.

* 1977: Adapting to film his play “The fish that smokes”, this film shows the breakdown of society in a raw and realistic way.

Theatre

Cabrujas made a significant mark in the Venezuelan Theatre of the 20th century, highlighting as an excellent director of Venezuelan; playwrights works In addition to being author of three essential pieces of the Venezuelan tables: deep, released in 1968, El día que me quieras, released in 1979, and Cultural Act, released in 1976.

Others of his works include: The insurgents (1956), Juan Francisco de León (1959), the strange journey of evil (1959) Simon, soup of stones (1960), triangle (traditional hospitality) (19629, on behalf of the King (1963), Days of power (1966) along with Román chalbaud, Venezuela Barata (1966), testimonies (1966), during (1967), an Eastern night (1983), The American illustrated (1986) and premieres its latest Sonny, free Othello adaptation work in 1995.)

[Edit] As Manager and member organizations

* 1961 – Member of group Piccolo Teatro di Milano, in Italy.

* 1965: Director of the culture Department of the Universidad Central of Venezuela.

* 1967 – Member of the Board of Directors of the “new group” acting how Actor, Director and playwright, in Venezuela.

* 1986: Member of Stelaris Inc, organization of freelance writers formed also by Julio César Marmol and Ramón Mangles Bueno

* 1990: Manager of dramatic of Marte TV (today La Tele) defunct company of soap operas, in Venezuela.

[Edit] As a teacher

At the end of the seventies, Cabrujas is called to be part of the Faculty in the school of Arts [42] of University Central of Venezuela, where teaches the subjects of: performing arts I and II, making history in stage I and II, American Theatre, acting workshop and workshop dramaturgy, giving class many University among which arose personalities later part regarding Venezuelan cultural life: Xiomara Moreno [43] [44], Carolina sword [45] [46], Iraida Tapias [47], Lupe Gehrembeck [48], Carlos Sanchez, Boris Izaguirre [49], Doris Wells and many more.

[Edit] Awards and recognition

* 1959: Participation in the VII Youth Festival in Vienna, Austria.

* 1959: Assistance to the Festival of Avignon, which saw the work of Jean Villar, NPT and different presentations of the International Theatre Festival. France.

* 1959: Assistance to the Stratfor Festival – Upon – Avon, speaking at the Festival of theatre student of Bristol, England. His visit to Europe during this year, was due to an incentive granted by Nicolás Curiel, for the moment; Director of the University Theatre of Central Venezuela University.

* 1966: “Best Actor” for his portrayal of character Zechariah in “Los Angeles Terribles” of Román chalbaud Venezuelan Theatre Festival.

* 1972: “Best Actor” for his portrayal of the character Richard III by William Shakespeare, awarded by awards Juana Sujo.

* 1976: “Prize Nacional a la best work” to his play “Act Cultural”, awarded by awards Juana Sujo and Critven.

* 1976: “Best theater play” to his “Act Cultural” play by the Cervantino of gold in Mexico.

* 1976: He was nominated by the New York Critics Association Award for his performance in the play The revolution of Isaac chocrón, pillar of the Venezuelan theatre work.

* 1979: “Best work” in his play “Act Cultural”, awarded by Municipal award of theater in Caracas.

* 1986: “Best work” in his play “The American illustrated” by Municipal award of theater in Caracas.

* 1987: “Best article press”, for his article in the press published in El Nacional, entitled: “A statue for Eleazar Pinto” awarded Prize Enrique Otero Vizcarrondo.

* 1980: “Best film” for his script for “The fish who smokes” on 19th Festival of Cartagena “Simón Bolívar”.

* 1980: “Best work” in his work “The day that Me Chechy” given by Municipal award of theater in Caracas.

* 1987: “Best work” for his play “The American illustrated” by Critven.

* 1988: “Best work” by re-editing “The day that Me Chechy” given by Municipal award of theater in Caracas.

* 1989: “Best work” in his play “The bourgeois Gentilhombre” awarded by Premio Nacional de Teatro, Venezuela.

The legacy left by Cabrujas, allowed the creation of public and private independent institutions for cultural purposes, such as:

* Fundación Cultural José Ignacio cabrujas, based in Caracas, Venezuela.

* Foundation free theatre José Ignacio Cabrujas [50], headquartered in Puerto Ayacucho, Amazonas State, Venezuela.

* Fundación Cultural Cabrujas in Front Cultural José Ignacio Cabrujas

* Theater Cabrujas group, with headquarters in Barquisimeto, Lara state, Venezuela.

* Teatro Jose Ignacio Cabrujas belonging to the Foundation Chacao room